Elias Blackwood

Upyr is, as far as the written record shows, the oldest surviving name for a Slavic vampire. I have spent twenty-five years tracing how cultures explain death, decay, and the fear of the returning dead, and few words carry as much philological weight as this one. Long before “vampire” existed as an English word, East … Read more

The vrykolakas is the walking corpse of Greek folklore, a revenant so feared that entire island communities reorganized their burial customs around keeping it in the ground. I have spent over twenty-five years tracing how Slavic werewolf legends mutated into a Greek Orthodox vampire, and the vrykolakas remains one of the strangest hybrids I have … Read more

The moroi is one of the most confusing figures I have encountered in twenty-five years of tracing vampiric folklore across Eastern Europe. Depending on the village, the era, and the collector doing the asking, a moroi could be a wandering ghost, a living sorcerer draining his neighbors’ strength, or the restless soul of a baby … Read more

The aswang has haunted my research notes for two decades, and it still resists easy definition. I use the word here the way Visayan speakers actually use it: not as the name of a single monster, but as an umbrella term covering an entire family of predatory beings. In fact, when Filipino folklorists sit down … Read more

The manananggal is the Philippines’ most visually arresting vampire, a creature that solves the problem of flight by the simplest and most gruesome method imaginable: she cuts herself in half. By night she abandons her legs and torso to hunt on leathery wings, trailing intestines like grim streamers across the moonlit sky. I have spent … Read more